{"id":3907,"date":"2010-03-14T21:49:00","date_gmt":"2010-03-14T21:49:00","guid":{"rendered":"https:\/\/anysquared.org\/New\/?p=3907"},"modified":"2023-08-04T04:51:41","modified_gmt":"2023-08-04T04:51:41","slug":"art-coles-1-group-show-march","status":"publish","type":"post","link":"https:\/\/anysquared.org\/New\/art-coles-1-group-show-march\/","title":{"rendered":"Art @ Coles #1 | Group Show"},"content":{"rendered":"\n

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Art @ Coles #1 Full album of artists<\/strong><\/a><\/p>\n\n\n\n

Group Show
<\/em><\/strong>March 14\u2014April 24, 2010
<\/em>40 diverse works from 24 eclectic artists.
Organized by AnySquared Projects<\/a><\/p>\n\n\n\n

Exhibiting Artists:  <\/strong>Karen Becker<\/a> \u2022 Wayne Bertola<\/a> \u2022 Daniel Figatner<\/a> \u2022 Robert Andre Gregorio<\/a> \u2022 Jennifer Hines<\/a> \u2022 Sharon Hoogstraten<\/a> \u2022 Susie Inverso<\/a> \u2022 Annette Jackson<\/a> \u2022 Anna Karewicz<\/a> \u2022 Tracy Kostenbader<\/a>* \u2022 lewis lain<\/a> \u2022 Jeff Libersher<\/a> \u2022 Natasha Mark<\/a> \u2022 Keelan McMorrow<\/a> \u2022 Iris Iris Pasic<\/a>* \u2022 Gabriel Patti<\/a> \u2022 Katina Petsas<\/a> \u2022 Thomas Plum<\/a> \u2022 Julia Rochholz<\/a>* \u2022 Chris Roberts<\/a> \u2022 Vanessa Shinmoto<\/a> \u2022 Lauren Strehlow<\/a> \u2022 Brett Swinney<\/a>* \u2022 Alex Uribe<\/a> *Art at Cole\u2019s AnySquared<\/a> hanging crew<\/em><\/p>\n\n\n\n

April 5, 2010 Opening Photos<\/a><\/strong><\/p>\n\n\n\n

Art@Coles is an AnySquared Project.<\/a><\/p>\n\n\n\n

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Karen Becker<\/strong><\/span><\/p>

Mariah, <\/em>2009, Charcoal\/Pastel\/White chalk, 18.5\u201d x 25.5\u201d<\/span><\/p>

kbecker72@aol.com<\/a>
karenbecker.net<\/a><\/span><\/p><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

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Wayne Bertola<\/strong><\/span><\/p>

Untitled, 2009. \u201cCut & Paste\u201d paper collage, 16\u201d X 20\u201d<\/span><\/p>

wbertola@juno.com<\/a>
www.artslant.com<\/a><\/span><\/p> <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

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Daniel Figatner<\/strong><\/span><\/p>

Collision 4,<\/em> 2008, Ink on paper, 8\u201d x 12\u201d<\/span><\/p>

My drawings explore the idea of capturing motion in a still image.<\/span><\/p>

dfigatner@yahoo.com<\/a>
danielfigatner.com<\/a><\/span><\/p><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

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Robert Andre Gregorio<\/strong><\/span><\/p>

Goliath,<\/em> August 2009, Oil on canvas, 16\u201d x 20\u201d<\/span><\/p>

\u201cGoliath\u201d is the name of a boat, made from a cutout of a plastic container lid. My childhood\u2019s most prized possession<\/span><\/p>

.<\/span>rg3visual@hotmail.com<\/a>
rg3visual.blogspot.com<\/a><\/span><\/p><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

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Jennifer Hines<\/strong><\/span><\/p>

honeysuckle, part of the Flower series, <\/em>2006, Digital printout, collage with tea-dyed paper, Xerox transfer, 13.5\u201d x 16.5\u201d<\/span><\/p>

A series of works that explore memory and how plant growth is symbolic of all forms of personal growth, from physical to mental growth.<\/span><\/p>

jennifer@jenniferhines.net<\/a>
jenniferhines.net<\/a><\/span><\/p><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

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Sharon Hoogstraten<\/strong><\/span><\/p>

Flamingo,<\/em> 2005, Photography, 44\u201d  x 54\u201d<\/span><\/p>

hoogstraten.sharon@gmail.com<\/a>
hoogstratenphotography.com<\/a><\/span><\/p><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

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Susie Inverso<\/strong><\/span><\/p>

Keys, <\/em>June 2009, Digital Fine Art, 11\u201d x 17\u201d<\/span><\/p>

susie@crimsoncatstudios.com<\/a>
crimsoncatstudios.com<\/a><\/span><\/p> <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

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Annette Jackson<\/strong><\/span><\/p>

Moon Lighting – triptych,<\/em> 2008, Copper, Plastic Face Shield, Phenolic Plastic, electric wiring, 40 watt candelabra bulbs, 8″ Diameter and 12″ Diameter<\/span><\/p>

A.Jackson.Art@gmail.com<\/a>
flickr.com\/photos\/ajacksonart\/ <\/a><\/span><\/p> <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

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Anna Karewicz<\/strong><\/span><\/p>

Danielle: Lips<\/em>, cyanotype on canvas, 12\u201d x 16\u201d<\/span><\/p>

Surreal images, mostly film but also uses digital, old photographic techniques (cyanotypes, tintypes), sandwiched or scratched negatives.<\/span><\/p>

epikurewicz@gmail.com<\/a>
flickr.com\/photos\/ankakarewicz<\/a> <\/span><\/p> <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

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Tracy Kostenbader<\/strong><\/span><\/p>

Objects (Suspend, Scrub, Dispense, Sit, Roll, Lighten, Whistle and Clean),<\/em> 2010, Acrylic on masonite panels<\/span><\/p>

tracytoast@gmail.com<\/a>
tracykostenbader.com<\/a><\/span><\/p> <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

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lewis lain<\/strong><\/span><\/p>

the key to the golden path, <\/em>2010, acrylic and cardboard on window, 32\u201d x 37\u201d<\/span><\/p>

lewis lain utilizes \u2018resonant\u2019 materials such as glass (rehab windows) and cardboard to paint a multi-layered story he observes through old windows\u2014textural artistic urban recycling.<\/span><\/p>

lewislain@lewislain.com<\/a>
lewislain.com<\/a><\/span><\/p> <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

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Jeff Libersher<\/strong><\/span><\/p>

Fathers, <\/em>2007, Oil on canvas, 24\u201d x 20\u201d<\/span><\/p>

Surrealistic, visceral oil paintings that depict the artist\u2019s inner-most fears, idiosyncrasies, and childhood monsters.<\/span> <\/span><\/p>

moxem@hotmail.com<\/a>
JeffLibersher.com<\/a><\/span><\/p> <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

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Natasha Mark<\/strong><\/span><\/p>

Emma, <\/em>2008, acrylic on canvas, 16\u201d x 20\u201d<\/span><\/p>

natas_138@hotmail.com<\/a>
iheartskeletons.com<\/a><\/span><\/p> <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

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Keelan McMorrow<\/strong><\/span><\/p>

Domestication,<\/em> 2009, Acrylic on panel, 18\u201d x 24\u201d<\/span>\u201c<\/span><\/p>

Squaring meticulous executions of figurative subjects within a juxtaposition of abstract yet balanced landscapes, McMorrow\u2019s artwork cultivates a timely and fresh reconciliation of conceptual insights, contemporary design, and classical integrity.\u201d<\/span><\/p>

keelan@keelanmcmorrow.com<\/a>
keelanmcmorrow.com<\/a><\/span><\/p> <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

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Iris Iris Pasic<\/strong><\/span><\/p>

Defaceted Double, <\/em>2010 , Sumi ink on macau rice paper, four 9\u201d X 12\u201d frames<\/span><\/p>

scrach84@hotmail.com<\/a>
myspace.com\/irisirisis<\/a><\/span><\/p> <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

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Gabriel Patti<\/strong><\/span><\/p>

Wanton Wunch, <\/em>2009, Oil & marker on canvas, 36\u201d x 24\u201d<\/span><\/p>

What if c.e.o. Bankers had to live in their failed real-estate ventures?<\/span><\/p>

gabe_patti@yahoo.com<\/a>
yessy.com\/gabepatti<\/a><\/span><\/p> <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

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Katina Petsas <\/strong><\/span><\/p>

Being & Nothingness (Existentialism and the Big Bad Wolf),<\/em> Spring 2008, India Ink, Watercolor & Gouache on Arches Hot Press Paper, 11\u201d x 14\u201d<\/span><\/p>

Illustrative Narrative Artwork – revisionist folklore<\/span><\/p>

katina_petsas@hotmail.com<\/a>
landofkatina.blogspot.com<\/a><\/span><\/p> <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

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Thomas Plum<\/strong><\/span><\/p>

Hey, Charlie!, <\/em>2009, Inkjet Print, 32\u201d x 46\u201d<\/span><\/p>

How do cartoon characters function as symbols?<\/span><\/p>

tplum@colum.edu<\/a><\/span><\/p> <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

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Chris Roberts <\/strong><\/span><\/p>

Conceptual Art…, <\/em>2008, Conceptual Art. Acrylic and enamel on canvas, 20\u201d x 20\u201d<\/span><\/p>

c_roberts75@hotmail.com<\/a>
artistchrisroberts.com<\/a><\/span><\/p> <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

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Julia Rochholz<\/strong><\/span><\/p>

Slowburn<\/em>, Mixed media, 36\u201d x 41\u201d<\/span><\/p>

julzezr@gmail.com<\/a>
juliarochholz.com<\/a><\/span><\/p> <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

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Vanessa Shinmoto<\/strong><\/span><\/p>

Islands 1<\/em>, Mixed media oil on canvas\/collage, 11\u201d x 14\u201d<\/span><\/p>

Practicing transformation with line and pigment<\/span><\/p>

vanessa@maladjustedart.com<\/a>
VanessaShinmoto.com<\/a><\/span><\/p> <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

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Lauren Strehlow <\/strong><\/span><\/p>

Messo<\/em>, Oil on Canvas, 32\u201d x 32\u201d<\/span><\/p>

Abstract Oil on Canvas, music and emotion are my inspiration, working with light and texture to create each piece and make it unique.<\/span>l<\/a><\/span><\/p>

aurenstrehlow@mac.com<\/a>
laurenstrehlow.com <\/a><\/span><\/p> <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

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Brett Swinney<\/strong><\/span><\/p>

Lincoln Ave, <\/em>3:30 am, Photograph, 20\u201d x 24\u201d<\/span><\/p>

brettswinney@gmail.com<\/a>
brettswinney.net<\/a>
fluxtuxwux.blogspot.com<\/a><\/span><\/p> <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

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Alex Uribe<\/strong><\/span><\/p>

The Morning After,<\/em> 2005, Oil on canvas, 18\u201d x 24\u201d<\/span><\/p>

Inspired by Magical Realism and Pop Surrealism and working mostly with oil paint, I create a disjointed world, part fairy tale, part nightmare, where it\u2019s inhabitants are damaged yet hopeful.<\/span><\/p>

alexuribe77@yahoo.com<\/span><\/a><\/p> <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

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