Art @ Coles #1 Full album of artists
Group Show
March 14—April 24, 2010
40 diverse works from 24 eclectic artists.
Organized by AnySquared Projects
Exhibiting Artists: Karen Becker • Wayne Bertola • Daniel Figatner • Robert Andre Gregorio • Jennifer Hines • Sharon Hoogstraten • Susie Inverso • Annette Jackson • Anna Karewicz • Tracy Kostenbader* • lewis lain • Jeff Libersher • Natasha Mark • Keelan McMorrow • Iris Iris Pasic* • Gabriel Patti • Katina Petsas • Thomas Plum • Julia Rochholz* • Chris Roberts • Vanessa Shinmoto • Lauren Strehlow • Brett Swinney* • Alex Uribe *Art at Cole’s AnySquared hanging crew
Art@Coles is an AnySquared Project.
 | Karen Becker Mariah, 2009, Charcoal/Pastel/White chalk, 18.5” x 25.5” |
 | Wayne Bertola Untitled, 2009. “Cut & Paste” paper collage, 16” X 20” |
 | Daniel Figatner Collision 4, 2008, Ink on paper, 8” x 12” My drawings explore the idea of capturing motion in a still image. |
 | Robert Andre Gregorio Goliath, August 2009, Oil on canvas, 16” x 20” “Goliath” is the name of a boat, made from a cutout of a plastic container lid. My childhood’s most prized possession |
 | Jennifer Hines honeysuckle, part of the Flower series, 2006, Digital printout, collage with tea-dyed paper, Xerox transfer, 13.5” x 16.5” A series of works that explore memory and how plant growth is symbolic of all forms of personal growth, from physical to mental growth. |
 | Sharon Hoogstraten Flamingo, 2005, Photography, 44” x 54” |
 | Susie Inverso Keys, June 2009, Digital Fine Art, 11” x 17” |
 | Annette Jackson Moon Lighting – triptych, 2008, Copper, Plastic Face Shield, Phenolic Plastic, electric wiring, 40 watt candelabra bulbs, 8″ Diameter and 12″ Diameter |
 | Anna Karewicz Danielle: Lips, cyanotype on canvas, 12” x 16” Surreal images, mostly film but also uses digital, old photographic techniques (cyanotypes, tintypes), sandwiched or scratched negatives. |
 | Tracy Kostenbader Objects (Suspend, Scrub, Dispense, Sit, Roll, Lighten, Whistle and Clean), 2010, Acrylic on masonite panels |
 | lewis lain the key to the golden path, 2010, acrylic and cardboard on window, 32” x 37” lewis lain utilizes ‘resonant’ materials such as glass (rehab windows) and cardboard to paint a multi-layered story he observes through old windows—textural artistic urban recycling. |
 | Jeff Libersher Fathers, 2007, Oil on canvas, 24” x 20” Surrealistic, visceral oil paintings that depict the artist’s inner-most fears, idiosyncrasies, and childhood monsters. |
 | Natasha Mark Emma, 2008, acrylic on canvas, 16” x 20” |
 | Keelan McMorrow Domestication, 2009, Acrylic on panel, 18” x 24”“ Squaring meticulous executions of figurative subjects within a juxtaposition of abstract yet balanced landscapes, McMorrow’s artwork cultivates a timely and fresh reconciliation of conceptual insights, contemporary design, and classical integrity.” |
 | Iris Iris Pasic Defaceted Double, 2010 , Sumi ink on macau rice paper, four 9” X 12” frames |
 | Gabriel Patti Wanton Wunch, 2009, Oil & marker on canvas, 36” x 24” What if c.e.o. Bankers had to live in their failed real-estate ventures? |
 | Katina Petsas Being & Nothingness (Existentialism and the Big Bad Wolf), Spring 2008, India Ink, Watercolor & Gouache on Arches Hot Press Paper, 11” x 14” Illustrative Narrative Artwork – revisionist folklore |
 | Thomas Plum Hey, Charlie!, 2009, Inkjet Print, 32” x 46” How do cartoon characters function as symbols? |
 | Chris Roberts Conceptual Art…, 2008, Conceptual Art. Acrylic and enamel on canvas, 20” x 20” |
 | Julia Rochholz Slowburn, Mixed media, 36” x 41” |
 | Vanessa Shinmoto Islands 1, Mixed media oil on canvas/collage, 11” x 14” Practicing transformation with line and pigment |
 | Lauren Strehlow Messo, Oil on Canvas, 32” x 32” Abstract Oil on Canvas, music and emotion are my inspiration, working with light and texture to create each piece and make it unique.l |
 | Brett Swinney Lincoln Ave, 3:30 am, Photograph, 20” x 24” brettswinney@gmail.com |
 | Alex Uribe The Morning After, 2005, Oil on canvas, 18” x 24” Inspired by Magical Realism and Pop Surrealism and working mostly with oil paint, I create a disjointed world, part fairy tale, part nightmare, where it’s inhabitants are damaged yet hopeful. |